Norma

PERFORMERS

Maribel Ortega_Norma (February 18, 22, 27; March 1, 4, 7, 15, 17)
Carmen Buendía_Norma (February 20, 24; March 6, 8, 13)
Anna Tobella_Adalgisa (February 18, 22, 27; March 1, 4, 7, 15)
Olga Syniakova_Adalgisa (February 20, 24; March 6, 8, 13, 17)
Kenneth Tarver_Pollione (February 18, 22; March 1, 4, 7, 13, 15)
Marc Sala_Pollione (February 20, 24, 27; March 6, 8, 17)
David Cervera_Oroveso (February 18, 22, 27; March 1, 8, 13, 15)
Jeroboám Tejera_Oroveso (February 20, 24; March 4, 6, 7, 17)
Laura Obradors_Clotilde
Roberto Redondo-Sainz_Flavio

Cor Amics de l’Òpera de Sabadell
Orquestra Simfònica del Vallès
Carles Ortiz_stage direction
Julio García Vico_musical direction / Daniel Gil de Tejada_musical direction (March, 13 and 15)

PROGRAMME

V. Bellini
Norma

A production by the Fundació Òpera a Catalunya

Norma is considered one of the pinnacles of the bel canto style, cultivated by Bellini himself, Donizetti, and other composers of the time. This style gave prominence to vocal expressiveness, with long, dramatic melodies, such as those heard in the famous aria Casta diva, one of the most challenging pieces in the soprano repertoire.

With a libretto by Felice Romani, Bellini’s regular librettist, the action takes place in Gaul during the Roman occupation, around 50 BC. Norma is a priestess who is bound to remain a virgin, but she has a secret relationship with Pollione, the leader of the Roman enemies, with whom she has two children. When he grows tired of her and turns to a young novice, Adalgisa, Norma is devastated. But in the end, with Pollione in her hands as a prisoner, she publicly confesses to having broken her vows and accepts her punishment: to die at the stake alongside Pollione, who is moved by the nobility and courage of this woman.